Shame “: Premier of a dance performance


Premier Dance

The premian performance of the premier performance of the “shame” of the “shame” of rigle Arcunio. The study of shame was puzzled Tatienta Kusneto.

In short, if the shame is completely promised to the dancing is the subject of a completely offering of dancing and plastic plastic. Even since shame from embarrassing to shame is recorded in our language. However, the playwright Olga Potupooa offered the thorough study of “social dusty, physical experience,” the death of this feeling. ” The processor has only drilled the main characters in the form of Olga of Olga, which is different from others. Of course, a serious topic of serious, is indeed a serious subject.

At the same time, each person had his own idea of ​​the “shame”. The composer of the radio Kiril’s house was launched in opening, “historic” approach clearly. In his music – itching in times, sometimes hurt – the Spanish medieval ballas from the Atteakas D. Unlike composer, Julia Rawwers firm firmly: She built in an angle of a top bed, dressing room, and the preacher department. She dressed the characters as students in a closed educational institution: Boys-in Black-in Black Final Scirts, White Socs and Black West of Anestacia Peshova’s Noraghava’s Noraghava’s Noraghava.

Moscow chamber’s former soloist came to a modern dance, which was over a modern dance, which was overloaded with various styles, technical and director techniques. This mixture cannot call the agreement. Hyperelest draw (if it was off heroine, the head of heroine is placed in standard dancing?

For the design of the dance design, they realize with the help of the sound text in the “drama” stage. One of the “Black Room” reads a woman’s face to the face of the horrible story of the Black Room: “I’d like to be sterilized:” I would like to sterilize. ” The requests addressed by the virgin Mary seems to be increased because the final text seems to be the “world’s” and final morals. ” The heroine of the heroine, “like everyone,” the earlier body of the pina bodies in the past.

The best of this chamber is moving episodes. In her plastic monolog, pretends to win: Her legs bend, unstable “Bridge” – Leg ears, surrounds snakes and snakes in the back side; With some miracles, it makes it straighten to a humanization and a knot in shameful flows. The physical abilities and technical abilities of Trove are not equal to, but far from everyone. Here we should offer tribute to the dance: Every ten is a maternity in every ten.

I did not allow the music or desire that I allowed to complete performance in this “Boscoove” episode. I need to re-include characters in the school uniform, play another massacre, play the stage community to match the pots with the pots of dwarf-trees. Do not climb into wolf.

Tatienta Cucusettao



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