۱۳: ۴۷ – February 1
Commenting on her introduction to the Homayaine Asadian Cinema, I remember that when my mother had a chance in my childhood, I would like to take my brother and sisters to the cinema. Then I chose four best students in the cities, so I went to Shahrut and Konbat.
He continued: “At that time I was a student, but I would go to Shahraout for three days a week and teach the children in the library two days. After that, the process continued six months. This is very important because the managers of this set gave us a special personality. .
Asadian noted: In the next summer, when it was thought to teach me the city, Masood Kimia was preparing to make the film “Stone Travel”. I liked him so much and saw all his pictures many times. So I entered the shooting team as the third assistant director, and that was what I wanted.
“I had to get into this business gradually, so I decided to choose this art without my main goal because I had the opportunity to use this opportunity. He would sit in a corner and look at it. I have been running from the beginning, but photography led me to notice how different directors work, and it was instruction for me.
He continued: I first worked as a photographer in the movie “Night of the event” of Sirus Alwand. The shooting began in the northern cities, and when I got the photos a few days later, he looked at them and told me that you would like to be a director. I still do not know how he recognized this.
The filmmaker said: When we were at the center of intellectual development, we thought our generation was going to change Iranian cinema. When we entered the field, we imagined that the previous men would no longer be active. It took me many years to realize that this process was not like that, and the last generation did not disappear at the same time, and people are united.
The worst part of the film maker is that when we do something, we think we have made a good film: “This is not something we can identify and make it wrong in general.” When you finish the editing of a movie, I invite people with different flavors to see the work, and even the editing of the film can be changed according to their votes.
He also said about his TV works: “I have been away from the cinema for many years and directed me on” Street Kids “,” If My Dad Alive “and” The Endless Road “. When I did, I told him that this project could be a successful film, but I went to the hotel for three days. Going to Mukamati was the result of the “gold and copper”.
“We always want to bring ourselves and the gamecodor. As a result, we are looking for complex movements. If such things have no connection to such things,” he said. If the viewer feels the movements of the camera, that is, the results are not properly achieved, but the camera must move so that the viewer does not understand. After the film “The Last Game”, I realized this, and I realized that the director’s role was not seen as a result of a film, and I tried to run “gold and copper” and “kissing on the moon”.
